Putting sculpture on show / Exposer la sculpture : conclusion
نویسندگان
چکیده
منابع مشابه
Virtual Sculpture
We propose here a sculpture metaphor for rapid shape prototyping. This metaphor makes the underlying surface description transparent for the user, enabling him to focus only on the shape being modeled. Our approach is based on implicit surfaces defined as iso-surfaces over a discrete field.
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Résumé : Nous présentons ici une métaphore de sculpture destinée au prototypage rapide de formes 3D. La surface sculptée correspond à l’iso-valeur d’un champ potentiel scalaire échantillonné spatiallement. L’utilisateur peut déposer de la matière où il le désire dans l’espace puis itérativement affiner sa forme grâce à un outil servant à déposer, retirer, peindre ou lisser de la matière, comme ...
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The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any ...
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This strong prejudice was of course natural. Ever since the Renaissance, artists had produced white marble sculpture, in imitation, oddly enough, of the Greek and Roman examples known to them, which in the course of time had lost their coloring. It was not easy to give up a belief that had been held for generations and one that had, moreover, started a new practice; for previous to the Renaissa...
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In the last three quarters of the fifteenth century Spain, like the rest of Europe, was under the spell of Flemish art. The realism of the north had a strong appeal to Spanish taste, and the technical discoveries of Flemish painting and the new iconographies from Flanders and Germany were enthusiastically received. In the second half of the century in particular, tapestries, paintings, and scul...
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ژورنال
عنوان ژورنال: Les cahiers de l'École du Louvre
سال: 2016
ISSN: 2262-208X
DOI: 10.4000/cel.344